{"id":1224,"date":"2024-11-08T09:27:18","date_gmt":"2024-11-08T08:27:18","guid":{"rendered":"https:\/\/lesgrandesdames.fr\/?p=1224"},"modified":"2024-11-09T10:55:13","modified_gmt":"2024-11-09T09:55:13","slug":"constance-mayer","status":"publish","type":"post","link":"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/","title":{"rendered":"Constance Mayer"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1224\" class=\"elementor elementor-1224\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4a37591 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"4a37591\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-fe9dc6d elementor-widget elementor-widget-text-editor\" data-id=\"fe9dc6d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><span style=\"font-weight: 400;\">Connaissez-vous Constance Mayer\u2009? Ou est-ce encore un personnage de l\u2019Histoire de France effac\u00e9 par une historiographie et une soci\u00e9t\u00e9 marqu\u00e9e par la domination masculine\u2009?<br \/><br \/><\/span><span style=\"font-weight: 400;\">C\u2019est une grande dame qui m\u00e9rite pourtant d\u2019\u00eatre mentionn\u00e9e et reconnue, ramen\u00e9e sur la sc\u00e8ne des grands artistes. Alors que je d\u00e9couvrais Artemisia Gentileschi et ses magnifiques peintures de la Renaissance il y a quelques ann\u00e9es, je me suis demand\u00e9 combien d\u2019autres artistes f\u00e9minines du pass\u00e9 je ne connaissais pas.<\/span><\/p><p><span style=\"font-weight: 400;\">Constance Mayer faisait partie d\u2019entre elles jusqu\u2019\u00e0 peu. Je l\u2019ai d\u00e9couverte dans un ouvrage d\u00e9di\u00e9 aux grandes hyst\u00e9riques, dans une collection de la \u00ab\u00a0Folle Histoire\u00a0\u00bb. Elle serait \u00ab\u00a0hyst\u00e9rique\u00a0\u00bb, car elle s\u2019est donn\u00e9 la mort avec le rasoir de son amant. Il m\u2019a fallu en savoir plus.<\/span><\/p><p><span style=\"font-weight: 400;\">Fruit de la liaison entre son p\u00e8re, Pierre Mayer de La Martini\u00e8re, et Marie-Fran\u00e7oise Lenoir, elle na\u00eet en 1774 et grandit dans un couvent o\u00f9 son p\u00e8re, bienveillant et aimant, lui offre la possibilit\u00e9 de d\u00e9couvrir et de pratiquer les arts, qu\u2019elle exerce avec talent.<\/span><\/p><p><span style=\"font-weight: 400;\">Sur fond des \u00e9v\u00e9nements r\u00e9volutionnaires, un vent de libert\u00e9 souffle sur la France, et les artistes en profitent. Apr\u00e8s avoir \u00e9t\u00e9 l\u2019\u00e9l\u00e8ve de Jean-Beno\u00eet Suv\u00e9e, rival du peintre David, elle rejoint l\u2019atelier de Greuze et expose plusieurs toiles au Salon, tout en participant, avec d\u2019autres jeunes femmes peintres, \u00e0 une grande production de figures dans le style du ma\u00eetre de l\u2019atelier. Cependant, Greuze est r\u00e9ticent quant \u00e0 la laisser signer et elle est \u00e9touff\u00e9e dans un registre qui la r\u00e9duit\u00a0: les portraits. Elle est inspir\u00e9e par la peinture sensuelle de Prud\u2019hon, un genre qu\u2019elle ne peut pas exposer \u00e0 l\u2019\u00e9poque, \u00e9tant une femme.<\/span><\/p><p><span style=\"font-weight: 400;\">En 1803, elle rejoint l\u2019atelier de Pierre-Paul Prud\u2019hon. Elle a 29\u00a0ans, il a 45\u00a0ans, mari\u00e9 et p\u00e8re de cinq enfants. Pourtant, ils s\u2019\u00e9prennent passionn\u00e9ment l\u2019un de l\u2019autre et vivent dans la clandestinit\u00e9 un amour d\u00e9vorant. Prud\u2019hon, malheureux, aurait vu son \u00e9pouse sombrer dans l\u2019alcool et aurait retrouv\u00e9 le bonheur aupr\u00e8s de Constance. Elle devient pour lui une \u00e9l\u00e8ve, une amie, une amante et une ma\u00eetresse de maison, charg\u00e9e des enfants.<\/span><\/p><p><span style=\"font-weight: 400;\">Les deux amants peignent ensemble, c\u00f4te \u00e0 c\u00f4te, et le couple re\u00e7oit chez Constance. Elle va jusqu\u2019\u00e0 mettre sa fortune personnelle au service de la r\u00e9putation de Prud\u2019hon, de leur vie commune, et de l\u2019\u00e9ducation de ses enfants, qui lui sont pourtant hostiles. Elle-m\u00eame n\u2019aura pas de descendance.<\/span><\/p><p><span style=\"font-weight: 400;\">Entre 1805 et 1807, Constance est combl\u00e9e par le succ\u00e8s de ses premi\u00e8res toiles historiques.<\/span><span style=\"font-weight: 400;\">On commence \u00e0 la reconna\u00eetre comme peintre d\u2019histoire, et pas seulement comme portraitiste, ce qui est rare pour une femme \u00e0 cette \u00e9poque.<\/span><\/p><p><span style=\"font-weight: 400;\">Constance devient l\u2019une des peintres favorites de l\u2019imp\u00e9ratrice Jos\u00e9phine. Elle d\u00e9croche m\u00eame une m\u00e9daille au Salon de 1806 pour son tableau <\/span><i><span style=\"font-weight: 400;\">Le Sommeil de V\u00e9nus. <\/span><\/i><span style=\"font-weight: 400;\">Cependant, les critiques boudent ce qu\u2019ils consid\u00e8rent comme de l\u2019impudicit\u00e9 des corps\u2009! Un critique du <\/span><i><span style=\"font-weight: 400;\">Journal de Paris<\/span><\/i><span style=\"font-weight: 400;\"> pr\u00e9cise m\u00eame\u00a0: \u00ab\u00a0Il ne faut pas qu\u2019un sujet \u00e9rotique soit trait\u00e9 par une demoiselle\u00a0\u00bb. Un autre\u00a0: \u00ab\u00a0il nous semble que cela p\u00e8che au moins contre les convenances et contre les m\u0153urs\u00a0\u00bb. <\/span><span style=\"font-weight: 400;\">Pied de nez aux boudeurs : le tableau est acquis par la couronne de France en 1808, \u00e0 la demande de Jos\u00e9phine de Beauharnais\u2009! C\u2019est la cons\u00e9cration\u2009!<\/span><\/p><p><span style=\"font-weight: 400;\">Constance, rebelle et d\u00e9passant les conventions, merci pour ta peinture\u2009!<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-601b725 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"601b725\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-30cd6f3 elementor-widget elementor-widget-image\" data-id=\"30cd6f3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"637\" height=\"415\" src=\"https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Capture-decran-71.png\" class=\"attachment-2048x2048 size-2048x2048 wp-image-1228\" alt=\"\" srcset=\"https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Capture-decran-71.png 637w, https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Capture-decran-71-300x195.png 300w\" sizes=\"(max-width: 637px) 100vw, 637px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Le Sommeil de V\u00e9nus, 1805, Constance Mayer<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4da81c5 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"4da81c5\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-860d961 elementor-widget elementor-widget-text-editor\" data-id=\"860d961\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Un autre probl\u00e8me\u00a0: <\/span><i><span style=\"font-weight: 400;\">Le sommeil de V\u00e9nus<\/span><\/i><span style=\"font-weight: 400;\"> et d\u2019autres \u0153uvres de Constance sont encore attribu\u00e9es \u00e0 Pierre-Paul Prud\u2019hon, tant les historiographes ont, souvent volontairement, et parfois avec acharnement, r\u00e9duit le talent, pi\u00e9tin\u00e9 le travail et d\u00e9ni\u00e9 la contribution artistique de Constance Mayer. <\/span><span style=\"font-weight: 400;\">Le Sommeil de V\u00e9nus, revendu au collectionneur Sir Richard Wallace, portait <\/span><span style=\"font-weight: 400;\">\u00e0 l\u2019origine la signature de Constance\u00a0: on l\u2019effacera ensuite pour y apposer celle de Prud\u2019hon\u2009! Ce geste aurait eu pour but de sp\u00e9culer sur la valeur de ses peintures. Rappelons que tous les dessins, esquisses et peintures attribu\u00e9s \u00e0 Prud\u2019hon apr\u00e8s 1803 doivent \u00eatre consid\u00e9r\u00e9s avec prudence, car toute l\u2019\u0153uvre de Constance reste \u00e0 r\u00e9attribuer.<br \/><br \/><\/span><span style=\"font-weight: 400;\">En 1808, son p\u00e8re d\u00e9c\u00e8de d\u2019un accident brutal. Parall\u00e8lement, l\u2019imp\u00e9ratrice Jos\u00e9phine est d\u00e9chue et Constance perd de l\u2019aura dans la sph\u00e8re artistique. Tout cela la bouscule et son amour pour Prud\u2019hon en ressort renforc\u00e9, devenant sa seule raison de vivre. La nouvelle fortune dont elle dispose sert \u00e0 son amant et \u00e0 ses enfants qui font face depuis plusieurs ann\u00e9es \u00e0 de graves soucis financiers. <\/span><span style=\"font-weight: 400;\">N\u2019\u00e9tant pas mari\u00e9s, Constance et Pierre-Paul ne peuvent pas vivre ensemble. Elle emm\u00e9nage alors pr\u00e8s de chez eux et devient leur voisine de palier.<\/span><span style=\"font-weight: 400;\">Passant une grande partie de son temps \u00e0 s\u2019occuper des enfants et \u00e0 aider Prud\u2019hon pour ses commandes (il est r\u00e9put\u00e9 pour son rythme lent), elle doit peindre ses propres toiles de nuit et commence \u00e0 s\u2019\u00e9puiser physiquement. Artistiquement, l\u2019image \u00ab\u00a0d\u2019\u00e9l\u00e8ve \u00e9ternelle\u00a0\u00bb commence \u00e0 lui coller \u00e0 la peau. Elle apporte une aide pr\u00e9cieuse \u00e0 Prud\u2019hon et il est difficile de distinguer leur part respective dans certaines toiles.<\/span><\/p><p><span style=\"font-weight: 400;\">En 1819, Constance pr\u00e9sente <\/span><i><span style=\"font-weight: 400;\">Le r\u00eave du bonheur<\/span><\/i><span style=\"font-weight: 400;\"> au Salon. C\u2019est une \u0153uvre embl\u00e9matique de ses espoirs d\u00e9\u00e7us. Un jeune couple est \u00e9tendu sur une barque conduite par l\u2019Amour et la Fortune, sur le fleuve de la vie. N\u2019est-ce pas une all\u00e9gorie du couple Mayer-Prud\u2019hon, si fortement uni dans la vie et dans l\u2019art\u2009? Cette peinture montre des aspirations intenses au bonheur.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d1556ec elementor-widget elementor-widget-image\" data-id=\"d1556ec\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"544\" height=\"393\" src=\"https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Capture-decran-72.png\" class=\"attachment-large size-large wp-image-1232\" alt=\"\" srcset=\"https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Capture-decran-72.png 544w, https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Capture-decran-72-300x217.png 300w\" sizes=\"(max-width: 544px) 100vw, 544px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8acaa7b e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"8acaa7b\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-77331a5 elementor-widget elementor-widget-text-editor\" data-id=\"77331a5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Min\u00e9es par l\u2019angoisse, les inqui\u00e9tudes de Constance grandissent. Elle craint de perdre Pierre-Paul par un d\u00e9m\u00e9nagement qui l\u2019\u00e9loignerait de lui et de ses enfants. Ces derniers se comportent de plus en plus mal envers elle, notamment \u00c9milie, qui attend d\u2019\u00eatre richement dot\u00e9e, alors qu\u2019une grande partie de la fortune de Constance s\u2019est envol\u00e9e pour aider cette famille.<\/span><\/p><p><span style=\"font-weight: 400;\">Inqui\u00e8te de l\u2019attitude de Pierre-Paul, de l\u2019impossibilit\u00e9 d\u2019officialiser leur amour, et r\u00e9volt\u00e9e par les signatures douteuses sur certaines de ses toiles, elle se tranche la gorge avec le rasoir de Prud\u2019hon, dans sa chambre le 26\u00a0mai 1821.<\/span><\/p><p><span style=\"font-weight: 400;\">Constance Mayer a \u00e9t\u00e9 flou\u00e9e. Par la sp\u00e9culation et l\u2019historiographie, elle a \u00e9t\u00e9 maintenue au statut d\u2019\u00e9l\u00e8ve, masquant ainsi son talent, l\u2019originalit\u00e9 de son \u0153uvre et son g\u00e9nie cr\u00e9ateur. Par son suicide, elle repr\u00e9sente pour certains la premi\u00e8re v\u00e9ritable h\u00e9ro\u00efne romantique du XIXe\u00a0si\u00e8cle.<\/span><\/p><h5><b>\u00a9 <\/b>Suzanne Poulat<\/h5><h5>Correctrice : Isabelle b\u00e9nard<\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Connaissez-vous Constance Mayer\u2009? Ou est-ce encore un personnage de l\u2019Histoire de France effac\u00e9 par une historiographie et une soci\u00e9t\u00e9 marqu\u00e9e par la domination masculine\u2009? C\u2019est une grande dame qui m\u00e9rite pourtant d\u2019\u00eatre mentionn\u00e9e et reconnue, ramen\u00e9e sur la sc\u00e8ne des grands artistes. Alors que je d\u00e9couvrais Artemisia Gentileschi et ses magnifiques peintures de la Renaissance [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":1225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[58,95],"class_list":["post-1224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-artiste","tag-neo-classicisme"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Constance Mayer - Les Grandes Dames<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Constance Mayer - Les Grandes Dames\" \/>\n<meta property=\"og:description\" content=\"Connaissez-vous Constance Mayer\u2009? Ou est-ce encore un personnage de l\u2019Histoire de France effac\u00e9 par une historiographie et une soci\u00e9t\u00e9 marqu\u00e9e par la domination masculine\u2009? C\u2019est une grande dame qui m\u00e9rite pourtant d\u2019\u00eatre mentionn\u00e9e et reconnue, ramen\u00e9e sur la sc\u00e8ne des grands artistes. Alors que je d\u00e9couvrais Artemisia Gentileschi et ses magnifiques peintures de la Renaissance [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/\" \/>\n<meta property=\"og:site_name\" content=\"Les Grandes Dames\" \/>\n<meta property=\"article:published_time\" content=\"2024-11-08T08:27:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-09T09:55:13+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Les-Grandes-Dames-45-1024x439.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"439\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Suzanne Poulat\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Suzanne Poulat\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/\"},\"author\":{\"name\":\"Suzanne Poulat\",\"@id\":\"https:\/\/lesgrandesdames.fr\/#\/schema\/person\/03b86a757ad2baf4a39bc5cf92fb1fbd\"},\"headline\":\"Constance Mayer\",\"datePublished\":\"2024-11-08T08:27:18+00:00\",\"dateModified\":\"2024-11-09T09:55:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/\"},\"wordCount\":1165,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/lesgrandesdames.fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/lesgrandesdames.fr\/wp-content\/uploads\/2024\/11\/Les-Grandes-Dames-45.png\",\"keywords\":[\"Artiste\",\"N\u00e9o-classicisme\"],\"articleSection\":[\"Art\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/\",\"url\":\"https:\/\/lesgrandesdames.fr\/index.php\/2024\/11\/08\/constance-mayer\/\",\"name\":\"Constance Mayer - 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