{"id":1468,"date":"2025-08-27T17:07:36","date_gmt":"2025-08-27T15:07:36","guid":{"rendered":"https:\/\/lesgrandesdames.fr\/?p=1468"},"modified":"2025-08-29T07:58:37","modified_gmt":"2025-08-29T05:58:37","slug":"suzanne-valadon","status":"publish","type":"post","link":"https:\/\/lesgrandesdames.fr\/index.php\/2025\/08\/27\/suzanne-valadon\/","title":{"rendered":"Suzanne Valadon"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1468\" class=\"elementor elementor-1468\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a68c30d e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"a68c30d\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2195fd7 elementor-widget elementor-widget-text-editor\" data-id=\"2195fd7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 26-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h5>Suzanne Valadon (1865-1938)<\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c8ed96b elementor-widget elementor-widget-text-editor\" data-id=\"c8ed96b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Le 1<sup>er<\/sup> mars 1914 d\u00e9bute \u00e0 Paris la trenti\u00e8me \u00e9dition du Salon des Ind\u00e9pendants, une exposition qui r\u00e9unit les artistes les plus novateurs du moment. Plac\u00e9 sous l\u2019\u00e9gide de la Soci\u00e9t\u00e9 des artistes ind\u00e9pendants fond\u00e9e en 1884, cet \u00e9v\u00e9nement majeur offre une vitrine de choix aux artistes en devenir. C\u2019est un rendez-vous incontournable o\u00f9 le Tout-Paris se presse !<\/p><p>Cette ann\u00e9e-l\u00e0, Suzanne Valadon expose une toile monumentale : Le lancement du filet qui mesure deux m\u00e8tres sur trois. Loin de passer inaper\u00e7ue, cette \u0153uvre qui repr\u00e9sente le corps nu de trois hommes en train de lancer un filet de p\u00eache interpelle le public. L\u2019audace de l\u2019artiste, une femme, qui n\u2019a pas h\u00e9sit\u00e9 \u00e0 peindre la nudit\u00e9 masculine ne laisse personne indiff\u00e9rent. Le mod\u00e8le, Andr\u00e9 Utter, est le jeune amant de l\u2019artiste, de vingt-cinq ans son cadet. Les muscles saillants et le galbe de ses fesses sont offerts au regard sans pudeur. Il est repr\u00e9sent\u00e9 dans trois positions diff\u00e9rentes, de dos, de trois-quarts et de face. Il n\u2019en faut pas plus pour heurter la sensibilit\u00e9 des critiques misogynes. L\u2019un d\u2019entre eux, Arthur Cravan, connu pour ses passes d\u2019armes acerbes, n\u2019h\u00e9site pas \u00e0 traiter Suzanne Valadon de vieille salope dans sa revue<\/p><p>Maintenant. Une insulte pour laquelle il sera condamn\u00e9 pour diffamation. Dans un suppl\u00e9ment \u00e0 sa revue, il r\u00e9pliquera avec une ironie mordante : \u00ab\u00a0Contrairement \u00e0 mon affirmation, madame Suzanne Valadon est une vertu\u00a0\u00bb !<\/p><p>\u00c2g\u00e9e de quarante-neuf ans, l\u2019artiste en a vu d\u2019autres. Suzanne Valadon est une suffragette de l\u2019art habit\u00e9e d\u2019une forte ambition personnelle, un trait de caract\u00e8re qui lui permet de mener une existence sans concession. Pourtant, rien ne la pr\u00e9destinait \u00e0 devenir une des artistes f\u00e9minines les plus importantes du d\u00e9but du XX<sup>\u00e8me <\/sup>si\u00e8cle. Longtemps oubli\u00e9e des livres d\u2019Histoire, on lui reconna\u00eet aujourd\u2019hui une forte influence dans ce que l\u2019on a appel\u00e9 l\u2019Ecole de Paris, un mouvement artistique n\u00e9 dans les ann\u00e9es 1900 \u00e0 Montmartre.<\/p><p>En effet, entre 1900 et 1920, Montmartre devient l\u2019\u00e9picentre de la vie artistique parisienne, des artistes venus du monde entier s\u2019y c\u00f4toient et s\u2019influencent les uns les autres. En qu\u00eate de nouveaux horizons, ils cherchent \u00e0 s\u2019affranchir des conventions \u00e9tablies. Ainsi, ils tracent une nouvelle voie artistique, qui les tient \u00e9loign\u00e9s de l\u2019acad\u00e9misme.<\/p><p>\u00c0 la m\u00eame \u00e9poque que Suzanne Valadon, on retrouve \u00e0 Paris : Pablo Picasso qui va d\u00e9velopper le cubisme, Marc Chagall et son esth\u00e9tique po\u00e9tique qui tend vers le symbolisme et Amedeo Modigliani dont les figures allong\u00e9es bouleversent l\u2019art du portrait.<\/p><p>Autodidacte, Suzanne Valadon est une artiste \u00e0 contre-courant des codes soci\u00e9taux de son \u00e9poque. N\u00e9e en 1865, de p\u00e8re inconnu, Marie-Cl\u00e9mentine (Suzanne est son nom d\u2019artiste invent\u00e9 par son ami Toulouse-Lautrec qui, la voyant poser pour des vieux artistes, la compara au personnage biblique de Suzanne et les vieillards) vient d\u2019un milieu social tr\u00e8s pauvre. Elle grandit aupr\u00e8s de sa m\u00e8re, Madeleine, ling\u00e8re de profession, avec laquelle elle s\u2019installe au bas de la Butte Montmartre. D\u2019abord apprentie couturi\u00e8re, elle se lance \u00e0 quinze ans dans une carri\u00e8re d\u2019acrobate au sein du cirque Fernando et Molier, mais une vilaine chute la contraint \u00e0 renoncer \u00e0 ses vell\u00e9it\u00e9s acrobatiques. C\u2019est finalement en tant que mod\u00e8le, sous le pseudonyme de Maria, qu\u2019elle d\u00e9couvre la vie de boh\u00e8me.<\/p><p>\u00c0 dix-sept ans, elle devient la muse des peintres install\u00e9s \u00e0 Montmartre, notamment Puvis de Chavannes, Renoir, Toulouse-Lautrec. Ce dernier, qui a d\u00e9couvert ses dessins, l\u2019encourage \u00e0 passer de l\u2019autre c\u00f4t\u00e9 du chevalet. Il lui conseille de rencontrer Degas, peintre et m\u00e9c\u00e8ne, pour recueillir son opinion. D\u2019abord r\u00e9ticent, le ma\u00eetre encourage la jeune femme : \u00a0\u00bb Vous \u00eates des N\u00f4tres\u00a0\u00bb lui lance-t-il, en d\u00e9couvrant son trait s\u00fbr et d\u00e9licat. Peu \u00e0 peu, elle se lance dans une carri\u00e8re artistique.<\/p><p>La reconnaissance de ses pairs lui donne le courage d\u2019abandonner son r\u00f4le de mod\u00e8le pour \u00eatre peintre. Paris devient alors son \u00e9cole et Montmartre son atelier. Elle peaufine sa technique aupr\u00e8s de ses amis artistes. Sa palette de couleurs s\u2019inspire de celle de Matisse et de C\u00e9zanne, sans toutefois verser dans le fauvisme. Fruit de sa courte relation avec Miquel Utrillo, Maurice Utrillo (qui deviendra peintre) lui sert de mod\u00e8le.<\/p><p>Fille-m\u00e8re \u00e0 dix-huit ans, elle s\u2019occupe seule de subvenir aux besoins de sa famille. Elle peint aussi Andr\u00e9 Utter, un ami de son fils qui deviendra son amant, son mod\u00e8le et pour qui elle divorcera.<\/p><p>Ses nus sont devenus ses \u0153uvres les plus remarquables, notamment Adam et Eve, r\u00e9alis\u00e9e en 1909, o\u00f9 elle s\u2019est repr\u00e9sent\u00e9e nue avec Andr\u00e9 Utter. Un crime de l\u00e8se-majest\u00e9 pour une sc\u00e8ne biblique.<\/p><p>Qu\u2019importe, Suzanne pr\u00e9f\u00e8re les chemins de traverse aux voies acad\u00e9miques. Chez elle, la nudit\u00e9 masculine est sensuelle, tandis que le nu f\u00e9minin est cru, sans complaisance, sans volont\u00e9 de plaire au regard du spectateur. Elle a su bouleverser les codes de la repr\u00e9sentation des corps dans la peinture. Une volont\u00e9 de s\u2019affranchir des diktats de l\u2019art que l\u2019on retrouve \u00e9galement dans ses autoportraits. Le dernier qu\u2019elle a laiss\u00e9 d\u2019elle la montre vieillissante, les seins nus. Son regard fixe le spectateur, elle a soixante-six ans, elle n\u2019a jamais \u00e9t\u00e9 aussi libre, aussi belle et aussi d\u00e9termin\u00e9e !<\/p><p>Auteur : Audrey Marty<\/p><p>Correctrice : Agn\u00e8s\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Suzanne Valadon (1865-1938) Le 1er mars 1914 d\u00e9bute \u00e0 Paris la trenti\u00e8me \u00e9dition du Salon des Ind\u00e9pendants, une exposition qui r\u00e9unit les artistes les plus novateurs du moment. Plac\u00e9 sous l\u2019\u00e9gide de la Soci\u00e9t\u00e9 des artistes ind\u00e9pendants fond\u00e9e en 1884, cet \u00e9v\u00e9nement majeur offre une vitrine de choix aux artistes en devenir. C\u2019est un rendez-vous [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":1469,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-1468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Suzanne Valadon - Les Grandes Dames<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lesgrandesdames.fr\/index.php\/2025\/08\/27\/suzanne-valadon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Suzanne Valadon - Les Grandes Dames\" \/>\n<meta property=\"og:description\" content=\"Suzanne Valadon (1865-1938) Le 1er mars 1914 d\u00e9bute \u00e0 Paris la trenti\u00e8me \u00e9dition du Salon des Ind\u00e9pendants, une exposition qui r\u00e9unit les artistes les plus novateurs du moment. Plac\u00e9 sous l\u2019\u00e9gide de la Soci\u00e9t\u00e9 des artistes ind\u00e9pendants fond\u00e9e en 1884, cet \u00e9v\u00e9nement majeur offre une vitrine de choix aux artistes en devenir. 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